Spoiler alert! For the first episode only.
I'll start with the confession that I haven't read the “Song of Fire and Ice” series by George R.R. Martin, largely because I find literary fantasy quite boring. It's just not my flavor of geek; the politics bore me, the strange and impossible to pronounce names make my head hurt, and the pace drags too much to hold my limited attention span.
However, “boring” is not a word that can be used to describe anything to do with this show.
The episode starts off with a group of gruesomely hacked-up bodies arranged in some sort of presumably symbolic pattern in the nearly colorless winter forest near The Wall. The whole scene is incredibly creepy and atmospheric, not to mention insanely gorgeous. Everything from the cinematography to the costumes to the pitch-perfect casting is breathtaking. There is also plenty of gratuitous gore, which certainly caught my interest. As the action ramps up we are also fleetingly introduced to some creatures who are presumably not human, but who do seem to be a combination of an Uruk-hai and a 28 Days Later rage zombie... an idea cemented by the apparent reanimation of the corpse of a small girl. I had no idea there were going to be monsters in this, let alone possible zombies, and all I have to say about that is AWESOME.
The rest of the episode is a lot of introductory political hum-drum, but the framework is laid out through a series of lovely, dark, and fascinating scenes that keep the dullness of the politics well hidden. We move to Winterfell, which is presided over by the blessedly simply-named Lord Stark (Sean Bean). After a disturbing lesson in the morality of the land and the introduction of several squee-inducing direwolf pups (WANT), we move briefly over to King's Landing, where (conveniently enough) King Robert (Mark Addy) resides with his wife (Lena Headey), her smarmy twin bro (Nikolaj Coster-Waldau), and their drunken lout of a dwarf brother (Peter Dinklage). There are about a thousand other awesome actors and characters, and if I take the time to list them all this review will be one giant IMDb entry.
There is one more group worth mentioning though, and that's the blondie siblings (Harry Lloyd and Emilia Clarke), and the warrior-clan leader (Jason Momoa), who we meet in Pentos as they plot some more political stuff. I'm sure it's all very important, but all I could think was how delightfully creepy some of the sibling relationships are on this show. Blond brother feels up blonde sister for a bit, then offers her for marriage to the scary and intimidating warrior-clan leader who, as far as I'm concerned, is best off remaining shirtless as much as possible. Woof!
Back in Winterfell, the queen makes inappropriate remarks during the feast and the King asks Lord Stark to come back to King's Landing with him to be his right-hand general or something. Then we return to Pentos in time for blonde sister's wedding to the pectoral warrior. The wedding dance includes lots of bare boobs and humping and fights ending in flailing intestines. Because they're savages, see? I give blonde sister two weeks before she's completely bonkers.
Lord Stark agrees to go off with King Robert and they celebrate by going boar hunting. Then Stark's youngest son accidentally catches the queen having sex with her twin brother. Just when I thought this show couldn't get more awesomely disturbing, they haul out the twincest. Oh, and then the brother casually tosses the kid out the window of a 50 foot parapet as his adorably anxious direwolf pup watches.
Holy hell. I am in love.
Melanie is a geek, a chick, a writer, a couch potato, a "non-traditional" college student, a lonely girl, an explorer, a fruit fly, a knitter, a fan, and a superhero. (I might be kidding about that last one.) (OR AM I?)
Showing posts with label geek weekly. Show all posts
Showing posts with label geek weekly. Show all posts
April 29, 2011
April 16, 2011
Geek Weekly: We. Are. Everywhere.
I'm starting to think it was a bad idea to put a specific day of the week in the titles of my theme posts. I'm not this good at committing.
I work in an office that is only slightly different from any basic corporate/government office in that we all know and use sign language on a daily basis. Otherwise it’s exactly as you’d expect… fluorescent lighting, cubicles, people who tetch and roll their eyes at each other’s music, a kitchenette with a sign on the microwave imploring people not to make popcorn. Just another of the many, many skyway-adjacent offices you’ll find in any Midwestern metropolitan area.
Being a geek is a bit like being gay.
Bear with me on this.
Both sets of people tend to hide this part of their lives in the everyday world. Or at least, not call attention to it. Both will steer clear of subjects that bring it out in the open when they are in certain environments (like work), for fear of alienating people with their unique nature. Both were probably traumatized by bullying and ostracism by the “normal” folks when they were young, and often when they find out that a person is gay- or geek-“friendly” (or gay/geek themselves) in a work or similar environment, the floodgates open and they can finally be themselves.
At least geeks can marry each other.
But I digress. My point was that it’s sometimes hard to know who I can talk about random geek things with and not get the blank stare (or worse, polite smile and shifty eyes that says I’ve set off some sort of DANGER, WILL ROBINSON! signal in their brain). So mostly I just keep it to myself… unless someone sets off my geekdar. Or even better, I set off theirs.
The two geeks I’ve met in my Office Space-like environment are H the delivery guy and K the security dude. Both of them are almost always in uniform when I see them, which is why I didn’t catch the geek signals from either of them… although I have seen K in his civvies on a few occasions, so I suspected. But H hides his geek well, under the guise of his good looks (and awareness of them). But in both cases, I ended up out myself to them.
With H it was excited babble about a pending trip to the UK, during which I’d be attending a “Doctor Who”-centric sci-fi convention. When he heard this, he promptly told me how he’d always dreamed of going to Comic-Con, and that he’s a total Star Wars nerd. It was an instant connection, the walls came tumbling down, and we were suddenly geeking at each other with the kind of enthusiasm rarely seen or heard in Cubicle World.
It was another con that outed me to K. I do sign language stuff for a local sci-fi/fantasy convention, so had brought some flyers to work in an attempt to maybe grab the attention of some of the deaf folk who never bothered to go because they didn’t realize there were interpreters. K spotted the flyer, with its eye-catching Metropolis-inspired artwork, and it was 45 minutes before we emerged from our horror-themed geek fugue.
Sometimes it's hard to imagine that all the normal people we interact at our jobs or in our daily lives with could be as geeky as us. But the truth is, geeks are everywhere.
I work in an office that is only slightly different from any basic corporate/government office in that we all know and use sign language on a daily basis. Otherwise it’s exactly as you’d expect… fluorescent lighting, cubicles, people who tetch and roll their eyes at each other’s music, a kitchenette with a sign on the microwave imploring people not to make popcorn. Just another of the many, many skyway-adjacent offices you’ll find in any Midwestern metropolitan area.
Being a geek is a bit like being gay.
Bear with me on this.
Both sets of people tend to hide this part of their lives in the everyday world. Or at least, not call attention to it. Both will steer clear of subjects that bring it out in the open when they are in certain environments (like work), for fear of alienating people with their unique nature. Both were probably traumatized by bullying and ostracism by the “normal” folks when they were young, and often when they find out that a person is gay- or geek-“friendly” (or gay/geek themselves) in a work or similar environment, the floodgates open and they can finally be themselves.
At least geeks can marry each other.
But I digress. My point was that it’s sometimes hard to know who I can talk about random geek things with and not get the blank stare (or worse, polite smile and shifty eyes that says I’ve set off some sort of DANGER, WILL ROBINSON! signal in their brain). So mostly I just keep it to myself… unless someone sets off my geekdar. Or even better, I set off theirs.
The two geeks I’ve met in my Office Space-like environment are H the delivery guy and K the security dude. Both of them are almost always in uniform when I see them, which is why I didn’t catch the geek signals from either of them… although I have seen K in his civvies on a few occasions, so I suspected. But H hides his geek well, under the guise of his good looks (and awareness of them). But in both cases, I ended up out myself to them.
With H it was excited babble about a pending trip to the UK, during which I’d be attending a “Doctor Who”-centric sci-fi convention. When he heard this, he promptly told me how he’d always dreamed of going to Comic-Con, and that he’s a total Star Wars nerd. It was an instant connection, the walls came tumbling down, and we were suddenly geeking at each other with the kind of enthusiasm rarely seen or heard in Cubicle World.
It was another con that outed me to K. I do sign language stuff for a local sci-fi/fantasy convention, so had brought some flyers to work in an attempt to maybe grab the attention of some of the deaf folk who never bothered to go because they didn’t realize there were interpreters. K spotted the flyer, with its eye-catching Metropolis-inspired artwork, and it was 45 minutes before we emerged from our horror-themed geek fugue.
Sometimes it's hard to imagine that all the normal people we interact at our jobs or in our daily lives with could be as geeky as us. But the truth is, geeks are everywhere.
Labels:
geek weekly,
life as a geek,
observations,
oops late again,
work
April 8, 2011
Geek Weekly: Movie review – Paul
Spoilers ahead!
So you may have noticed that I'm a fan of the Pegg-Frost-Wright oeuvre. It might have come up before, is all I'm saying. So naturally I'll be reviewing Paul with all the objectivity of a seasoned, professional writer.
OMG I LOVED THIS MOVIE YAY!
Well, you know you're going to love it when it starts by following Simon Pegg and Nick Frost around ComiCon. I mean, dude. What makes this movie so great (much like “Spaced”) is that it's so clear that they're well and truly fanboys, just like the audience. It's brilliant. I even love their ridiculously kitschy rented camper, complete with shag carpeting and little lampshades on the interior lights.
I was really nervous about Seth Rogan as the title character... but he managed to add an endearing charm to the movie that I really wasn't expecting. Probably in part because he's a CGI alien who manages to be far more adorable than he has any right to be when tossing f-bombs around. Paul edges up to the line of schmaltz, but manages to avoid crossing it just in time to keep the audience.
Then there's Jason Bateman, who is completely amazing as always. And yes, his twist at the end totally surprised me, whether because I was distracted by the triple-play awesome of Pegg, Frost, and Rogan or I'm just not too bright sometimes. Or maybe because Bateman pulls off the cold asshole so well that you never for a moment think he could actually be a good guy.
Sigourney Weaver as a badass in a ballgown. 'Nuff said.
I was a bit worried that Paul wouldn't be a proper Pegg-Frost-Wright flick, since it's actually a Pegg-Frost flick directed by Greg Mottola (of Superbad and Adventureland fame... two movies I have to admit I haven't seen). And it does have a distinctly different feel that could probably be summed up by describing it as an Americanized bit of Pegg-Frost-Wright-ery. However, I wouldn't say that's a bad thing... although there were moments I missed the Britishness of the Wright element, I thought it was fun to see the uniquely Britsh sensibilities brought to the movie in the writing (penned by Pegg and Frost, naturally) placed against the quintessential American West backdrop, surrounded by American actors and helmed by an American director. The two cultures, rather than clashing, melded beautifully... and the movie's humor did not suffer a bit for it.
So you may have noticed that I'm a fan of the Pegg-Frost-Wright oeuvre. It might have come up before, is all I'm saying. So naturally I'll be reviewing Paul with all the objectivity of a seasoned, professional writer.
OMG I LOVED THIS MOVIE YAY!
Well, you know you're going to love it when it starts by following Simon Pegg and Nick Frost around ComiCon. I mean, dude. What makes this movie so great (much like “Spaced”) is that it's so clear that they're well and truly fanboys, just like the audience. It's brilliant. I even love their ridiculously kitschy rented camper, complete with shag carpeting and little lampshades on the interior lights.
I was really nervous about Seth Rogan as the title character... but he managed to add an endearing charm to the movie that I really wasn't expecting. Probably in part because he's a CGI alien who manages to be far more adorable than he has any right to be when tossing f-bombs around. Paul edges up to the line of schmaltz, but manages to avoid crossing it just in time to keep the audience.
Then there's Jason Bateman, who is completely amazing as always. And yes, his twist at the end totally surprised me, whether because I was distracted by the triple-play awesome of Pegg, Frost, and Rogan or I'm just not too bright sometimes. Or maybe because Bateman pulls off the cold asshole so well that you never for a moment think he could actually be a good guy.
Sigourney Weaver as a badass in a ballgown. 'Nuff said.
I was a bit worried that Paul wouldn't be a proper Pegg-Frost-Wright flick, since it's actually a Pegg-Frost flick directed by Greg Mottola (of Superbad and Adventureland fame... two movies I have to admit I haven't seen). And it does have a distinctly different feel that could probably be summed up by describing it as an Americanized bit of Pegg-Frost-Wright-ery. However, I wouldn't say that's a bad thing... although there were moments I missed the Britishness of the Wright element, I thought it was fun to see the uniquely Britsh sensibilities brought to the movie in the writing (penned by Pegg and Frost, naturally) placed against the quintessential American West backdrop, surrounded by American actors and helmed by an American director. The two cultures, rather than clashing, melded beautifully... and the movie's humor did not suffer a bit for it.
March 31, 2011
Geek Weekly: Special review - Shyamalanathon
Since I do reviews on all the first and third Thursdays of the month, I thought it would be fun to do a Super Special Review on the rare fifth Thursdays. For the forseeable future, I'll be focusing them on a series of themed marathons, complete with reviews and blow-by-blow reactions. Since M. Night Shyamalan is one of my favorite directors (I can see a bunch of you running for the hills already, GET BACK HERE), I thought a Shyamalanathon would be the way to start it off.
A few notes: a while back I made a half-assed attempt at a blog, and the Shyamalanathon was one of my first posts. Unfortunately I failed at committing to a blog at the time (as opposed to now YAY), so this post got thrown out. This was originally written before Avatar: The Last Airbender came out, and I have to admit I haven't seen that one yet. It was also originally multiple posts, so it's going to be a bit long. You have been warned.
Shyamalanathon 1/3: The Bruce Willis era
The Sixth Sense
I almost forgot how much I love this movie. Although I am of the MTV generation, I really like when a scary movie takes its time building the tension before making me jump. Of course I've seen this one enough times not to be too affected by the scares anymore. Remember when Haley Joel Osment was so cute with the stiff-legged run? Remember when Bruce Willis still had some hair? Did you realize that the barfing girl ghost was played by Mischa Barton? And then there's Night's very first twist, the revelation that Bruce Willis is one of the ghosts haunting Cole. It's fun watching the movie knowing that, and enjoying his character's non-interactions with the rest of the cast. Scariest ghost = the crawlspace guy; you only hear his voice. CREEPY. Night sighting: the doctor who accuses Cole's mom (played by the excellent Toni Collette) of abuse. Hi, Night!
Blow-by-blow notes:
Unbreakable
When I first saw this movie, my friend and I dubbed it “That Security Guy vs. Mr. Glass.” It was made to be a sort of prequel to a superhero flick asking the question, “What if superheroes and supervillans existed in the real world?” It does a fantastic job of mixing the fantastic and the mundane, which I think is a trademark of sorts in M. Night's movies. This one wasn't very well-received, probably because most people were expecting “The Sixth Sense 2.” Comparatively this movie is much less scary, but it has plenty of awesomesauce to go around. Ever since I saw it I've been hoping for a sequel, and according to IMDb I just might get it. Night sighting: potential drug dealer at the stadium where Bruce Willis works as a security guard. Hi Night! Surprise twist: Mr. Glass (played gorgeously by Samuel L. Jackson) is TOTALLY EVIL!
Blow-by-blow notes:
Shyamalanaton 2/3: The Joaquin Phonix era
Signs
This one is very sentimental. It's also a study in faith, which is not something I normally enjoy (being essentially atheist). Nonetheless, it's a great, creepy, and often funny movie. Cuteness abounds, helped along by tiny Abigail Breslin in one of her first movie rolls (love the bump-da-bump dance, particularly knowing “Little Miss Sunshine” is in her future). Mel Gibson brings the funny more than once, apparently having not yet been driven insane by Jesus. Then the alien invasion starts, and it is SCARY. One plot hole that occurred to me... if the aliens know that water is deadly to them, why do they choose to attack EARTH?? Twist ending: it all has a purpose. Swing away, Merrill! Night sighting: the dude who killed Mel's wife. Oops. Hi Night!
Blow-by-blow notes:
The Village
Aw, it's an M. Night Shyamalan love story. Along with being a world-is-evil story. There are so many amazing actors and performances in this that you couldn't even find enough sticks to shake at them in the scary woods. Also, James Newton Howard's music is particularly great in this one. I think this one might actually be my favorite, although the next one will be high up on the scale as well. Night seemed rather determined to make up for the rather weak twist in the last movie by adding a total of FOUR twists. And, in my opinion, pulling off each one quite gracefully, and saving the best and biggest for last. I can honestly say that I did not see that coming, like, at all. Night sighting: at the end, he plays a ranger who delivers a load of awkward exposition. Nice of him to take that job on himself. Hi Night!
Blow-by-blow notes:
Shyamalanathon 3/3: Parable Time
Lady in the Water
Yeah, this one's my favorite. It's tough to knock The Village off that pedestal, with all the stellar acting going on; but even with the general drop in thespian skillz, there's still some shining exceptions. Most notably Paul Giamatti, who successfully pulls off comedic adorableness and heartbreaking pathos in equal measure. Another highlight is M. Night himself in his biggest role. A little messianic, yes, but well performed. Plus, love the silly interaction with the sister character. In fact, there is not a character in the movie I don't love for one reason or another. The only thing that I would change is that when Reggie is revealed to be The Protector in what is probably considered to be the movie's big twist, I would have like to see him bring some Hellboy-esque smackdown on the Scrunt. It would have paid off his one-side-only workout regimen, for one thing. For another, it would have been awesometastic. As I said, there really wasn't a big twist, more like a series of little twists throughout the movie. And, hi Night!
Blow-by-blow notes:
The Happening
After the happy that was the last film, this one takes us darker than any of the others. It's a really cringe-worthy concept, watching people off themselves in increasingly horrifying ways because the plants told them to. As a fan of the horror genre, I loved it! Ok, granted, the ending was a little weak, and not because of the lack of any real twist. Personally I don't have any problem with a straight-forward, twist-free story; if he tried to use that every time, it would get boring. The ending just felt kind of lame. I was also a little disappointed that Night didn't make an appearance in this one... I think he might have gotten panned for his work in the last film and probably decided to forgo an appearance here. What I did love was the Parisian coda. Look out, France, you're next! Can't decide what the most disturbing part was; there were so many. The lawnmower certainly sticks out in my mind. Kudos to Night for crawling right under my skin and setting up camp there for two hours. Guh.
Blow-by-blow notes:
Shyamalanathon: Redux and Wrap-Up
The Buried Secrets of M. Night Shyamalan
Surprise! Bet you didn't see this coming... Come now, no proper Shyamalanathon would be complete without this one. It would have been part of the original Shyamalanathon posts, but I kind of forgot to put in on my NetFlix queue in time and didn't get it until yesterday. Oops.
When I first watched this, I thought it was real. I mean, on one level I didn't because, c'mon. It was only a few days later that I saw the retraction/apology, and that didn't surprise me either. When I watched it at night, alone in my apartment, I was, frankly, totally convinced. To the extent that I slept on the couch with the TV on that night. In the light of day it was a bit different. Seriously, there was Deepak Chopra! And Johnny Depp! And all sorts of crazy drama! How could it not be real? Ok, the creepy hoodie kids were a little out there. And the acting was sometimes a bit... well, awkward. Still!
I know a lot of people think the movie is ridiculous (assuming they even know about it). Most people are pretty scornful of the fact that it was an admitted hoax. Personally, I think it was brilliant. Not only from a publicity standpoint, but also as just a bit of really good storytelling. I mean, how often do you get to see a movie about the life of a real person, a famous person at that, which is really creepy and interesting? And that person is actually INVOLVED in the movie? I just thought it was cool as hell both in its attempt to make the viewer believe it was real, and after knowing it's fake, the story itself.
A story that I started writing a long time ago revolved around the idea that horror movies and books aren't fiction at all, just windows into worlds most people ignore or don't want to see. One of the characters in my story is Clive Barker, who turns out to be this haunted guy who sees into those places and whose stories and characters are based on what he sees there. This movie follows that same tradition wonderfully, and the involvement of Night in the process just makes it all the more awesome.
C'mon, they pulled the wool over your eyes for a minute too, just admit it. This movie is well worth watching if you can stop bitching and enjoy it. It would only have been better if everyone involved had managed to keep up with the ruse and left us all wondering if maybe, just maybe, it was real.
Blow-by-blow notes:
Wrap Up
Things purchased in preparation for the Shyamalanathon:
So this was a really fun experience, even more so because I got to spew my thoughts about it all over the interwebs. Hope the three or four of you that read it enjoyed it as much as I did, and I definitely suggest giving the Shyamalanathon a try if you have the chance.
I have a few other -thons I'm mulling over for the fifth Thursday reviews, including an American-Remakes-of-Asian-Horror-thon, a Stephen-King-adaptation-thon, a the-UK-is-scary-thon, and the grandaddy of -thons, an Extended-Director's-Cut-Lord-of-the-Rings-including-all-DVD-special-features-thon. Check back in June for the next fifth Thursday to see which one I picked! (Actually, come back before then, because I need validation. Thanks.)
A few notes: a while back I made a half-assed attempt at a blog, and the Shyamalanathon was one of my first posts. Unfortunately I failed at committing to a blog at the time (as opposed to now YAY), so this post got thrown out. This was originally written before Avatar: The Last Airbender came out, and I have to admit I haven't seen that one yet. It was also originally multiple posts, so it's going to be a bit long. You have been warned.
Shyamalanathon 1/3: The Bruce Willis era
The Sixth Sense
I almost forgot how much I love this movie. Although I am of the MTV generation, I really like when a scary movie takes its time building the tension before making me jump. Of course I've seen this one enough times not to be too affected by the scares anymore. Remember when Haley Joel Osment was so cute with the stiff-legged run? Remember when Bruce Willis still had some hair? Did you realize that the barfing girl ghost was played by Mischa Barton? And then there's Night's very first twist, the revelation that Bruce Willis is one of the ghosts haunting Cole. It's fun watching the movie knowing that, and enjoying his character's non-interactions with the rest of the cast. Scariest ghost = the crawlspace guy; you only hear his voice. CREEPY. Night sighting: the doctor who accuses Cole's mom (played by the excellent Toni Collette) of abuse. Hi, Night!
Blow-by-blow notes:
- Bullshit! hee
- the “magic” trick... hee again
- scariest ghost = crawlspace dude *shudder*
- night sighting! the doctor
- I see dead people
- ACK barfing ghost
- Bruce Willis is dead!!!
Unbreakable
When I first saw this movie, my friend and I dubbed it “That Security Guy vs. Mr. Glass.” It was made to be a sort of prequel to a superhero flick asking the question, “What if superheroes and supervillans existed in the real world?” It does a fantastic job of mixing the fantastic and the mundane, which I think is a trademark of sorts in M. Night's movies. This one wasn't very well-received, probably because most people were expecting “The Sixth Sense 2.” Comparatively this movie is much less scary, but it has plenty of awesomesauce to go around. Ever since I saw it I've been hoping for a sequel, and according to IMDb I just might get it. Night sighting: potential drug dealer at the stadium where Bruce Willis works as a security guard. Hi Night! Surprise twist: Mr. Glass (played gorgeously by Samuel L. Jackson) is TOTALLY EVIL!
Blow-by-blow notes:
- aw, poor baby Samuel L.
- Samuel L. deploys The Rage!
- Robin Wright's “I want to get back together but I'm totally ok if you don't want that *sob*” speech was particularly effective when I first saw it 'cause I had recently gone through a massive break-up and was totally in that desperate place at the time. Ouch, and also? WOW.
- *crunch crunch crunch wince* the breaking of Samuel L. *wince*
- Night sighting! potential drug dealer
- 6:39pm tweet: On movie 2 of the Shyamalanathon (Unbreakable). Supplies still holding out, haven't needed bathroom break yet. Soldiering on. #shyamalan
- GAH psycho janitor's entry is so creepy “I like your house, can I come in?” *shudder*
- David becomes a superhero. LOVE.
- best moment: David whispering to son across breakfast table “You were right.” *sniff*
- surprise twist: MR. GLASS IS TOTALLY EVIL!! duh.
- according to IMDb, Unbreakable 2 is in development. Yes, please!
Shyamalanaton 2/3: The Joaquin Phonix era
Signs
This one is very sentimental. It's also a study in faith, which is not something I normally enjoy (being essentially atheist). Nonetheless, it's a great, creepy, and often funny movie. Cuteness abounds, helped along by tiny Abigail Breslin in one of her first movie rolls (love the bump-da-bump dance, particularly knowing “Little Miss Sunshine” is in her future). Mel Gibson brings the funny more than once, apparently having not yet been driven insane by Jesus. Then the alien invasion starts, and it is SCARY. One plot hole that occurred to me... if the aliens know that water is deadly to them, why do they choose to attack EARTH?? Twist ending: it all has a purpose. Swing away, Merrill! Night sighting: the dude who killed Mel's wife. Oops. Hi Night!
Blow-by-blow notes:
- tiny Abigail Breslin!
- ”I'm insane with anger!” LOLZ
- night sighting – unexplained guy who makes everyone uncomfortable
- cornfields are always scary o_0
- Joaquin & Mel sitting on couch with hands on knees = hee!
- night sighting 2: awkwardness explained
- god, Mel Gibson used to be so funny. until Jesus drove him insane.
- oh HEE Joaquin in a tin hat too
- ”it's happening” *shudder*
- they left the dog outside to die DO NOT APPROVE
- Joaquin protecting the kids... I have no maternal instinct whatsoever, yet seeing a not-yet-dad-age dude protecting kids makes me drop eggs like they're hot
The Village
Aw, it's an M. Night Shyamalan love story. Along with being a world-is-evil story. There are so many amazing actors and performances in this that you couldn't even find enough sticks to shake at them in the scary woods. Also, James Newton Howard's music is particularly great in this one. I think this one might actually be my favorite, although the next one will be high up on the scale as well. Night seemed rather determined to make up for the rather weak twist in the last movie by adding a total of FOUR twists. And, in my opinion, pulling off each one quite gracefully, and saving the best and biggest for last. I can honestly say that I did not see that coming, like, at all. Night sighting: at the end, he plays a ranger who delivers a load of awkward exposition. Nice of him to take that job on himself. Hi Night!
Blow-by-blow notes:
- Adrien Brody is adorable and creepy at the same time. How does he do that??
- Bryce Dallas Howard has the awesomest laugh ever
- this movie is chock full of 70's sci-fi awesomesauce in the form of William Hurt and Sigourney Weaver
- violin music – James Newton Howard
- aww!!! Joaquin + Bryce = teh cuteness
- AAACCCKKKK with the stabbing
- twist #1: Those We Do Not Speak Of are the elders!
- twist #2: no wait Those We Do Not Speak Of are ACTUALLY REAL!!
- twist #3: oh wait nevermind that's just Adrian Brody
- twist #4: we are in present day, folks.
- night sighting: mostly just the voice as one of the rangers who kindly delivers giant chunk of clunky exposition
Shyamalanathon 3/3: Parable Time
Lady in the Water
Yeah, this one's my favorite. It's tough to knock The Village off that pedestal, with all the stellar acting going on; but even with the general drop in thespian skillz, there's still some shining exceptions. Most notably Paul Giamatti, who successfully pulls off comedic adorableness and heartbreaking pathos in equal measure. Another highlight is M. Night himself in his biggest role. A little messianic, yes, but well performed. Plus, love the silly interaction with the sister character. In fact, there is not a character in the movie I don't love for one reason or another. The only thing that I would change is that when Reggie is revealed to be The Protector in what is probably considered to be the movie's big twist, I would have like to see him bring some Hellboy-esque smackdown on the Scrunt. It would have paid off his one-side-only workout regimen, for one thing. For another, it would have been awesometastic. As I said, there really wasn't a big twist, more like a series of little twists throughout the movie. And, hi Night!
Blow-by-blow notes:
- the slaying of the bug LOLZ!
- eek! grassy dogs!
- Micah! playing a child prodigy. what a departure.
- i want to live in that apartment complex, for reals
- yep, this one's my favorite
- appx 12:30 tweet: Movie 5 of the Shyamalanathon. Have already put up installments 1 & 2 on The Blog: http://tinyurl.com/nlgb7n Supplies still holding, for now
- night sighting: a major character! and he's hilarious to boot. love his brother/sister stuff. adorable!
- have I mentioned I developed a crush on night during this movie? so pretty
- Paul Giamatti is a comedic genius
- one regret: Reggie should have brought the pain
- love that eagle
The Happening
After the happy that was the last film, this one takes us darker than any of the others. It's a really cringe-worthy concept, watching people off themselves in increasingly horrifying ways because the plants told them to. As a fan of the horror genre, I loved it! Ok, granted, the ending was a little weak, and not because of the lack of any real twist. Personally I don't have any problem with a straight-forward, twist-free story; if he tried to use that every time, it would get boring. The ending just felt kind of lame. I was also a little disappointed that Night didn't make an appearance in this one... I think he might have gotten panned for his work in the last film and probably decided to forgo an appearance here. What I did love was the Parisian coda. Look out, France, you're next! Can't decide what the most disturbing part was; there were so many. The lawnmower certainly sticks out in my mind. Kudos to Night for crawling right under my skin and setting up camp there for two hours. Guh.
Blow-by-blow notes:
- just before watching this movie, went upstairs for potty/smoke break and got completely freaked out. movies getting to me. eek.
- this one jumps right in with the eep
- wahlberg redux: donnie was superior
- cameron!
- zooey. zoooooooooey. zooeydeschanel. that's fun to say in a bad french accent
- aw john leguizamo as a daddy = cuteness
- is it wrong that I love the part where three people use a gun one after the other to kill themselves?
- omg these suicides are bonkers
- cheese and crackers! hee
- oh yeah, breslin redux as well: both performed admirably
- oh ACK the lawnmower ACK
- are you my mummy? old ladies in gas masks, hee
- o hai crazy lady EEEKKK
- no twist, no night, and an awesome coda
Shyamalanathon: Redux and Wrap-Up
The Buried Secrets of M. Night Shyamalan
Surprise! Bet you didn't see this coming... Come now, no proper Shyamalanathon would be complete without this one. It would have been part of the original Shyamalanathon posts, but I kind of forgot to put in on my NetFlix queue in time and didn't get it until yesterday. Oops.
When I first watched this, I thought it was real. I mean, on one level I didn't because, c'mon. It was only a few days later that I saw the retraction/apology, and that didn't surprise me either. When I watched it at night, alone in my apartment, I was, frankly, totally convinced. To the extent that I slept on the couch with the TV on that night. In the light of day it was a bit different. Seriously, there was Deepak Chopra! And Johnny Depp! And all sorts of crazy drama! How could it not be real? Ok, the creepy hoodie kids were a little out there. And the acting was sometimes a bit... well, awkward. Still!
I know a lot of people think the movie is ridiculous (assuming they even know about it). Most people are pretty scornful of the fact that it was an admitted hoax. Personally, I think it was brilliant. Not only from a publicity standpoint, but also as just a bit of really good storytelling. I mean, how often do you get to see a movie about the life of a real person, a famous person at that, which is really creepy and interesting? And that person is actually INVOLVED in the movie? I just thought it was cool as hell both in its attempt to make the viewer believe it was real, and after knowing it's fake, the story itself.
A story that I started writing a long time ago revolved around the idea that horror movies and books aren't fiction at all, just windows into worlds most people ignore or don't want to see. One of the characters in my story is Clive Barker, who turns out to be this haunted guy who sees into those places and whose stories and characters are based on what he sees there. This movie follows that same tradition wonderfully, and the involvement of Night in the process just makes it all the more awesome.
C'mon, they pulled the wool over your eyes for a minute too, just admit it. This movie is well worth watching if you can stop bitching and enjoy it. It would only have been better if everyone involved had managed to keep up with the ruse and left us all wondering if maybe, just maybe, it was real.
Blow-by-blow notes:
- first time... kinda bought it, kinda not
- lovely cinematography
- should have noticed the awkward “acting” from some of the crew types
- creepy hoodie kids!
- Deepak Chopra was an interesting random celeb
- ditch the hate and enjoy the ride, people – this thing is worth it
- JOHNNY DEPP I almost forgot about that!
- Adrian Brody = awesome
- GAH the house part is so creepy
- it's too bad they had to admit it was fake
Wrap Up
Things purchased in preparation for the Shyamalanathon:
- smokes
- milk for cereal
- lunchmeat and bagels for sandwiches
- crab dib and pita bread
- white cheddar Cheeze-Its
- Papa John's large bacon-green-pepper-onion pizza with extra sauce
- Crystal Light wild strawberry flavor with CAFFEINE
- Diet Code Red Mountain Dew 12-pack
- Friskie's Indoor cat food
So this was a really fun experience, even more so because I got to spew my thoughts about it all over the interwebs. Hope the three or four of you that read it enjoyed it as much as I did, and I definitely suggest giving the Shyamalanathon a try if you have the chance.
I have a few other -thons I'm mulling over for the fifth Thursday reviews, including an American-Remakes-of-Asian-Horror-thon, a Stephen-King-adaptation-thon, a the-UK-is-scary-thon, and the grandaddy of -thons, an Extended-Director's-Cut-Lord-of-the-Rings-including-all-DVD-special-features-thon. Check back in June for the next fifth Thursday to see which one I picked! (Actually, come back before then, because I need validation. Thanks.)
March 24, 2011
Geek Weekly: Growing up geek.
Time for a little nostalgia kick. Once again this is going to be an interactive post... leave a comment with some of the geeky things that you loved growing up!
My mother swears that the first movie I ever saw in the theater was The Empire Strikes Back. I would have been three years old at the time. I'm assuming my first movie would have been Star Wars, but I was still in the womb when that one came out. At any rate, I can imagine my tiny toddler brain absorbing the sights and sounds of Lucas' epic and becoming totally hooked.
As a child of the 80's, I was raised on sci-fi and fantasy movies like The Neverending Story, Gremlins, The Goonies, The Explorers, Willow, and of course the aforementioned Star Wars movies; cheesy but fabulous television shows like “The Hulk,” “He-Man,” “Wonder Woman,” “V,” “The Greatest American Hero,” “Star Trek: the Next Generation,” and “Alien Nation;” and spent lots of time playing with my Transformers and my Atari (favorite game? “Joust”). At a young age I also developed a fascination for classic movie monsters, an obsession that would have had me fit right in with the kids in Monster Squad. I prided myself on my expertise in all things ghost, werewolf, vampire, and the pantheon of Universal movie monsters.
My love of Stephen King's books began at the tender age of ten, when I started reading Pet Sematary by skipping the first 100 pages, and moved directly on to The Shining... and have now read and re-read most of his books.
I became a teenager in the 90's, which was when my focus began to shift towards horror movies. There was a dearth of horror then, but there was some great stuff on television: “Friday the 13th” (not to be mistaken for the Jason Voorhees movies), “Tales from the Crypt,” and “The X-Files” are a few that I loved. Most of my horror movie viewing was stuff from the 70's and 80's, such as the various Freddy and Jason movies, Alien and Aliens, all the Hellraisers and Halloweens, plus every cheesy camp-counselor beach-party prom-night movie I could get my hands on. It wasn't until Scream reminded us just how awesome horror flicks are that the genre began to pick up steam again, and I was in heaven.
Unlike the kids today (please do picture me hunched over a cane shaking my fist as I say that), I had to grow up in the internet-less vacuum of the 80's and early 90's, virtually unaware that there were other kids like me who rejected the possibility of having a life on Saturday nights because ST:TNG was on, or haunted their local video store's tiny horror section (usually located in the back corner, by the curtained door leading to the porn), or wrote stories in the world of their favorite show. Had the internet existed, I would likely be as addicted to it as I am now. But I'm glad I didn't have it, because the movies and shows I loved feel more like discoveries I made myself.
It was a great time to grow up geek.
My mother swears that the first movie I ever saw in the theater was The Empire Strikes Back. I would have been three years old at the time. I'm assuming my first movie would have been Star Wars, but I was still in the womb when that one came out. At any rate, I can imagine my tiny toddler brain absorbing the sights and sounds of Lucas' epic and becoming totally hooked.
As a child of the 80's, I was raised on sci-fi and fantasy movies like The Neverending Story, Gremlins, The Goonies, The Explorers, Willow, and of course the aforementioned Star Wars movies; cheesy but fabulous television shows like “The Hulk,” “He-Man,” “Wonder Woman,” “V,” “The Greatest American Hero,” “Star Trek: the Next Generation,” and “Alien Nation;” and spent lots of time playing with my Transformers and my Atari (favorite game? “Joust”). At a young age I also developed a fascination for classic movie monsters, an obsession that would have had me fit right in with the kids in Monster Squad. I prided myself on my expertise in all things ghost, werewolf, vampire, and the pantheon of Universal movie monsters.
My love of Stephen King's books began at the tender age of ten, when I started reading Pet Sematary by skipping the first 100 pages, and moved directly on to The Shining... and have now read and re-read most of his books.
I became a teenager in the 90's, which was when my focus began to shift towards horror movies. There was a dearth of horror then, but there was some great stuff on television: “Friday the 13th” (not to be mistaken for the Jason Voorhees movies), “Tales from the Crypt,” and “The X-Files” are a few that I loved. Most of my horror movie viewing was stuff from the 70's and 80's, such as the various Freddy and Jason movies, Alien and Aliens, all the Hellraisers and Halloweens, plus every cheesy camp-counselor beach-party prom-night movie I could get my hands on. It wasn't until Scream reminded us just how awesome horror flicks are that the genre began to pick up steam again, and I was in heaven.
Unlike the kids today (please do picture me hunched over a cane shaking my fist as I say that), I had to grow up in the internet-less vacuum of the 80's and early 90's, virtually unaware that there were other kids like me who rejected the possibility of having a life on Saturday nights because ST:TNG was on, or haunted their local video store's tiny horror section (usually located in the back corner, by the curtained door leading to the porn), or wrote stories in the world of their favorite show. Had the internet existed, I would likely be as addicted to it as I am now. But I'm glad I didn't have it, because the movies and shows I loved feel more like discoveries I made myself.
It was a great time to grow up geek.
Labels:
geek weekly,
get off my lawn,
horror,
life as a geek,
movies,
television
March 17, 2011
Geek Weekly: Television review - “Spaced.”
If you've never heard of “Spaced,” I can't say I'm really surprised. Painfully disappointed, but not surprised. A little background for the uninitiated:
“Spaced” was created by Edgar Wright, Simon Pegg, and Jessica Stevenson (now Hynes), and stars Pegg, Hynes, and Nick Frost (along with some other wonderful character actors). Most of the team went on to create the movies Shaun of the Dead and Hot Fuzz, so chances are pretty good that if you're a geek, you're familiar with their brand of humor. The series aired in 1999 and 2000 on Channel 4 in the UK.
The show centers on Tim (Pegg) and Daisy (Hynes), strangers who meet over the classifieds in a London coffee shop. Tim has just been kicked out by his long-term girlfriend, while Daisy is attempting to get out of the squat she shares with several friends. They pretend to be a couple in order to get the perfect flat, thus becoming the nucleus of an odd and wonderful little family that includes Tim's “A-Team”-obsessed childhood friend Mike (Frost), Daisy's blonde fashion plate bestie Twist (Katy Carmichael), Marsha the landlady and her ever-present glass of wine (Julia Deakin), and the tortured and socially awkward artist Brian (Mark Heap).
The show is a celebration of geekdom, filled with loving references to everything from 2001: A Space Odyssey to X-Men comics to Scooby-Doo to the ever-present Star Wars movies. One memorable episode uses a theme centered on the “Resident Evil” video games, and gives a sneak peek into the inspiration for Shaun of the Dead before it's even been made.
What this show does so well is balance the goofy humor with genuine heart and just a touch of romance that's compelling without being too heavy-handed. It's the same formula that made Shaun of the Dead so successful and so much fun to watch. The world is familiar yet surreal, filled with human caricatures that should be completely ridiculous but never fail to remind you of someone you know. My personal favorite being Tyres, the raving bike courier.
The series ran for two seven-episode seasons and is available on a DVD boxed set, which includes the 2004 documentary Skip to the End. It's the perfect length for an all-day marathon, with the more hard-core marathoners among us able to tack on the movies to watch the progression of the Wright-Pegg-Frost triumvirate.
Bottom line, if you're a fan of Shaun of the Dead and Hot Fuzz, you have to see this show. If you're not, what the hell is wrong with you?
“Spaced” was created by Edgar Wright, Simon Pegg, and Jessica Stevenson (now Hynes), and stars Pegg, Hynes, and Nick Frost (along with some other wonderful character actors). Most of the team went on to create the movies Shaun of the Dead and Hot Fuzz, so chances are pretty good that if you're a geek, you're familiar with their brand of humor. The series aired in 1999 and 2000 on Channel 4 in the UK.
The show centers on Tim (Pegg) and Daisy (Hynes), strangers who meet over the classifieds in a London coffee shop. Tim has just been kicked out by his long-term girlfriend, while Daisy is attempting to get out of the squat she shares with several friends. They pretend to be a couple in order to get the perfect flat, thus becoming the nucleus of an odd and wonderful little family that includes Tim's “A-Team”-obsessed childhood friend Mike (Frost), Daisy's blonde fashion plate bestie Twist (Katy Carmichael), Marsha the landlady and her ever-present glass of wine (Julia Deakin), and the tortured and socially awkward artist Brian (Mark Heap).
The show is a celebration of geekdom, filled with loving references to everything from 2001: A Space Odyssey to X-Men comics to Scooby-Doo to the ever-present Star Wars movies. One memorable episode uses a theme centered on the “Resident Evil” video games, and gives a sneak peek into the inspiration for Shaun of the Dead before it's even been made.
What this show does so well is balance the goofy humor with genuine heart and just a touch of romance that's compelling without being too heavy-handed. It's the same formula that made Shaun of the Dead so successful and so much fun to watch. The world is familiar yet surreal, filled with human caricatures that should be completely ridiculous but never fail to remind you of someone you know. My personal favorite being Tyres, the raving bike courier.
The series ran for two seven-episode seasons and is available on a DVD boxed set, which includes the 2004 documentary Skip to the End. It's the perfect length for an all-day marathon, with the more hard-core marathoners among us able to tack on the movies to watch the progression of the Wright-Pegg-Frost triumvirate.
Bottom line, if you're a fan of Shaun of the Dead and Hot Fuzz, you have to see this show. If you're not, what the hell is wrong with you?
March 10, 2011
Geek Weekly: The heebies.
You may have noticed by now that I love horror movies. I love the tension, I love the gore, I love the scares, I love the atmosphere... I love it all.
The problem is the after-effects. When a movie succeeds in actually scaring me, it tends to last for a while. Sometimes weeks.
The Grudge was one of the worst I've experienced. To this day, if I watch the movie (for the eleventyth time) or even just think about it too much, I have a hard time looking into dark corners for fear of seeing that white-dress-long-dark-hair shape. I can barely stand to go up the stairs, because the risers are open to the crawlspace beneath and I'm positive a small white hand is going to grab my ankle as I hurry up. It doesn't exactly help that my roommate's cats like to sit under there and stare out between the risers with their creepy reflective eyes. GAH.
The problem is, as much as I love these movies, I'm a total scardy-cat. I have a horrible habit of playing the “I wonder what I would do if...” game. This usually pops up at the most unexpected times: having a smoke on the porch (I wonder what I would do if a zombie came lurching around the corner); laying in bed about to fall asleep (I wonder what I would do if a voice suddenly said my name); brushing my teeth (I wonder what I would do if something walked behind me in the mirror).
I'm not sure if these thoughts are the result of being a horror movie addict, from starting my Stephen King obsession at the age of ten, or if they're simply the product of an overactive imagination. I'm guessing it's all of the above, with a strong dose of general insanity thrown in.
It's a good thing the heebies have become a way of life by now, because Insidious looks awesome, doesn't it?
The problem is the after-effects. When a movie succeeds in actually scaring me, it tends to last for a while. Sometimes weeks.
The Grudge was one of the worst I've experienced. To this day, if I watch the movie (for the eleventyth time) or even just think about it too much, I have a hard time looking into dark corners for fear of seeing that white-dress-long-dark-hair shape. I can barely stand to go up the stairs, because the risers are open to the crawlspace beneath and I'm positive a small white hand is going to grab my ankle as I hurry up. It doesn't exactly help that my roommate's cats like to sit under there and stare out between the risers with their creepy reflective eyes. GAH.
The problem is, as much as I love these movies, I'm a total scardy-cat. I have a horrible habit of playing the “I wonder what I would do if...” game. This usually pops up at the most unexpected times: having a smoke on the porch (I wonder what I would do if a zombie came lurching around the corner); laying in bed about to fall asleep (I wonder what I would do if a voice suddenly said my name); brushing my teeth (I wonder what I would do if something walked behind me in the mirror).
I'm not sure if these thoughts are the result of being a horror movie addict, from starting my Stephen King obsession at the age of ten, or if they're simply the product of an overactive imagination. I'm guessing it's all of the above, with a strong dose of general insanity thrown in.
It's a good thing the heebies have become a way of life by now, because Insidious looks awesome, doesn't it?
March 6, 2011
Geek Weekly: Movie review – Paranormal Activity 2
I do realize that it's Sunday. The Life Sundays post is coming too, hopefully tomorrow. If you know me at all, the fact that I've gotten a bit behind is no surprise. The shocking thing is that it took an entire month for it to happen. But enough bluster, on to the main event!
I originally watched the new Nightmare on Elm Street movie intending to rip it to shreds (ha ha), but it was actually so bad that all I could do was seethe and rage. I also happened to rent Paranormal Activity 2 just for my own enjoyment, so I've decided to talk about that instead. We may revisit That Other Movie later, if I'm desperate for topics and feel the need to vent.
On to the fun movie!
SPOILERS AHEAD!
I went into this sequel with no real idea of what I was getting into, so I was very pleasantly surprised by the appearance of Katie and Micah from the first movie, and rather devilishly pleased when I realized how the timelines of the two movies wove together. You can watch almost the entirety of the second movie, then stop it and watch the whole of the first movie, then the last few minutes of the second movie again, and the story is seamless. One thing that did bother me was the inclusion of the backstory, since giving an explanation for Teh Evil weakens it somewhat; the scariest stories are the ones where there is no reason for the victims to be targeted (i.e. The Exorcist or The Grudge). That said, I really liked the dark turn it took as the family makes the decision to transfer the haunting to Katie, thus setting the events of the first movie (and the subsequent results at the end of this one) in motion.
What this movie does so well (like the first one) is the slow build... ramping the tension up so high that it's almost a relief when the scare finally comes. For me, the hallmark of a good horror flick is how many times I end up hiding behind my hands, and it happened over and over again during this film. There's a delicate balance to that crescendo; if you get off too quickly, there's no satisfaction, but if you take too long to stretch it out, it can become boring and you barely even care when the scare does come. (Yes, like sex. I see wot U did thar.) The scene when all the cupboards slam open in the kitchen was so loud and startling that it sent my cats scrambling under the nearest furniture. It was the most fun I've had watching a horror movie in a long time.
Another thing that works really well is that you never see the demon. Horror movie monsters rarely live up to their hype, and more often than not once you see the monster, it becomes less frightening. The monster in Paranormal Activity 2 exists purely in the viewer's imagination, and is so much worse there than it could ever be onscreen. And the fact that the protagonists themselves eventually become the monster makes it all the worse, because how do you fight someone you love? How do you stop yourself from becoming the monster?
The sequel has a lot of similarities to the original, a lot of the same kinds of scares and tactics. I think this is a strength rather than a weakness, because it makes sense in the context of the films... after all, they are the same haunting. There is just enough of a difference to give the their own unique twist, and make both worth watching. If you liked the first one, there's no reason you shouldn't like this one as well. And if the first one scared the pants off you, this one should do the same. If it didn't scare the pants off you, you're lying. It totally did.
I originally watched the new Nightmare on Elm Street movie intending to rip it to shreds (ha ha), but it was actually so bad that all I could do was seethe and rage. I also happened to rent Paranormal Activity 2 just for my own enjoyment, so I've decided to talk about that instead. We may revisit That Other Movie later, if I'm desperate for topics and feel the need to vent.
On to the fun movie!
SPOILERS AHEAD!
I went into this sequel with no real idea of what I was getting into, so I was very pleasantly surprised by the appearance of Katie and Micah from the first movie, and rather devilishly pleased when I realized how the timelines of the two movies wove together. You can watch almost the entirety of the second movie, then stop it and watch the whole of the first movie, then the last few minutes of the second movie again, and the story is seamless. One thing that did bother me was the inclusion of the backstory, since giving an explanation for Teh Evil weakens it somewhat; the scariest stories are the ones where there is no reason for the victims to be targeted (i.e. The Exorcist or The Grudge). That said, I really liked the dark turn it took as the family makes the decision to transfer the haunting to Katie, thus setting the events of the first movie (and the subsequent results at the end of this one) in motion.
What this movie does so well (like the first one) is the slow build... ramping the tension up so high that it's almost a relief when the scare finally comes. For me, the hallmark of a good horror flick is how many times I end up hiding behind my hands, and it happened over and over again during this film. There's a delicate balance to that crescendo; if you get off too quickly, there's no satisfaction, but if you take too long to stretch it out, it can become boring and you barely even care when the scare does come. (Yes, like sex. I see wot U did thar.) The scene when all the cupboards slam open in the kitchen was so loud and startling that it sent my cats scrambling under the nearest furniture. It was the most fun I've had watching a horror movie in a long time.
Another thing that works really well is that you never see the demon. Horror movie monsters rarely live up to their hype, and more often than not once you see the monster, it becomes less frightening. The monster in Paranormal Activity 2 exists purely in the viewer's imagination, and is so much worse there than it could ever be onscreen. And the fact that the protagonists themselves eventually become the monster makes it all the worse, because how do you fight someone you love? How do you stop yourself from becoming the monster?
The sequel has a lot of similarities to the original, a lot of the same kinds of scares and tactics. I think this is a strength rather than a weakness, because it makes sense in the context of the films... after all, they are the same haunting. There is just enough of a difference to give the their own unique twist, and make both worth watching. If you liked the first one, there's no reason you shouldn't like this one as well. And if the first one scared the pants off you, this one should do the same. If it didn't scare the pants off you, you're lying. It totally did.
Labels:
geek weekly,
horror,
movie review,
oops late again
February 25, 2011
Geek Weekly: Gay Fandom, or That German Soap.
This is a day late due to surprise nap attack unforeseen circumstances. Apologies!
Fandom can be a murky and terrifying place for the uninitiated. It can also be one of the most rewarding and amazing things you can be a part of, if you find the right one. I've dipped my toe into a number of fandoms over the years; my first experience was in 1996, when I stumbled on an email list for the USA show “La Femme Nikita.” A few years later I joined a Yahoo!Group for fans of a book series by Laurell K. Hamilton. And just a couple of years ago I became involved in an online campaign focusing on the BBC series “Torchwood.”
My most recent and intense foray into fandom is for a German soap opera called “Alles Was Zählt.”
I can see that perplexed look you're trying to hide. Don't worry, I'm used to it.
So how in the world did I end up involved in a fandom for a foreign-language soap? Well, it all started with “Queer As Folk.”
Yep, there's that look again.
What I discovered while watching watching QAF (the US version, for those In The Know) was that I got a certain enjoyment out of watching relationships between two men. Not just the sex scenes, but the romances and the friendships as well. Something about watching men be so comfortable with one another on a physical level is very appealing to me. (And yes, the sex scenes are hot.)
I've read a lot of differing opinions on the internets about why it is that straight women enjoy watching gay drama. I've always thought of the sexual aspect as similar to the straight male obsession with lesbian sex. As a friend of mine once put it, it's fun to watch two people you're attracted to smooshed together.
Makes sense to me.
Also, why is “smooshed” not in my spell-check? That's totally a real word.
Anyway, I've also read that for some, it's more fun to take themselves out of identifying with one of the characters and simply enjoy the relationship; others like identifying with a character of the opposite gender. I personally find gay men sexually non-threatening, which can be an important factor.
Whatever your reason or flavor, there is an increasing presence of gay fandoms out there, and the majority of their participants are straight or bisexual women, with a smattering of gay men. I personally identify as bisexual, and am what's known as a fag hag, or a fruit fly, or a homo honey. Here's an explanation from Wiki.
As you may have guessed by now, there is a gay element in AWZ. The show itself is a “typical” (meaning “straight”) show, which started with one gay character who was essentially window dressing. About a year in, the show added another gay character, this one a teenager struggling to come to terms with his sexuality. The resulting coming out story remains one of the most realistic and lovingly acted I've ever seen. The romance that followed between the two gay characters was what sucked me into the show, and the lovely folks who translated and subtitled their storyline in English to be posted on YouTube were what brought me into the fandom.
It's sort of amusing sometimes, how difficult it is to explain fandom (and particularly such an unusual one as this). Those rare occasions I do try enlightening the unaware, I'm generally greeted with the slightly blank smile-and-nod of someone who would like to get out of the conversation as quickly as possible. Since I've long given up getting non-geeks to understand me, this can be an endless source of entertainment.
To check out the gay storyline on “Alles Was Zählt” with English subtitles, visit the EskimoKissProject channel on YouTube.
Fandom can be a murky and terrifying place for the uninitiated. It can also be one of the most rewarding and amazing things you can be a part of, if you find the right one. I've dipped my toe into a number of fandoms over the years; my first experience was in 1996, when I stumbled on an email list for the USA show “La Femme Nikita.” A few years later I joined a Yahoo!Group for fans of a book series by Laurell K. Hamilton. And just a couple of years ago I became involved in an online campaign focusing on the BBC series “Torchwood.”
My most recent and intense foray into fandom is for a German soap opera called “Alles Was Zählt.”
I can see that perplexed look you're trying to hide. Don't worry, I'm used to it.
So how in the world did I end up involved in a fandom for a foreign-language soap? Well, it all started with “Queer As Folk.”
Yep, there's that look again.
What I discovered while watching watching QAF (the US version, for those In The Know) was that I got a certain enjoyment out of watching relationships between two men. Not just the sex scenes, but the romances and the friendships as well. Something about watching men be so comfortable with one another on a physical level is very appealing to me. (And yes, the sex scenes are hot.)
I've read a lot of differing opinions on the internets about why it is that straight women enjoy watching gay drama. I've always thought of the sexual aspect as similar to the straight male obsession with lesbian sex. As a friend of mine once put it, it's fun to watch two people you're attracted to smooshed together.
Makes sense to me.
Also, why is “smooshed” not in my spell-check? That's totally a real word.
Anyway, I've also read that for some, it's more fun to take themselves out of identifying with one of the characters and simply enjoy the relationship; others like identifying with a character of the opposite gender. I personally find gay men sexually non-threatening, which can be an important factor.
Whatever your reason or flavor, there is an increasing presence of gay fandoms out there, and the majority of their participants are straight or bisexual women, with a smattering of gay men. I personally identify as bisexual, and am what's known as a fag hag, or a fruit fly, or a homo honey. Here's an explanation from Wiki.
As you may have guessed by now, there is a gay element in AWZ. The show itself is a “typical” (meaning “straight”) show, which started with one gay character who was essentially window dressing. About a year in, the show added another gay character, this one a teenager struggling to come to terms with his sexuality. The resulting coming out story remains one of the most realistic and lovingly acted I've ever seen. The romance that followed between the two gay characters was what sucked me into the show, and the lovely folks who translated and subtitled their storyline in English to be posted on YouTube were what brought me into the fandom.
It's sort of amusing sometimes, how difficult it is to explain fandom (and particularly such an unusual one as this). Those rare occasions I do try enlightening the unaware, I'm generally greeted with the slightly blank smile-and-nod of someone who would like to get out of the conversation as quickly as possible. Since I've long given up getting non-geeks to understand me, this can be an endless source of entertainment.
To check out the gay storyline on “Alles Was Zählt” with English subtitles, visit the EskimoKissProject channel on YouTube.
February 17, 2011
Geek Weekly: Television – “The Walking Dead”
Much like my first-Thursday-of-the-month movie reviews, I'm going to be doing a third-Thursday-of-the-month review of television shows. It'll be more of an overall series review, rather than something specific to an episode. Got it? Good. Enough formalities, on to the brain-eaters.
Here's the thing about zombies:
They're slow. They're stupid. They spend most of their time moaning and reaching and stumbling around.
Here's the other thing about zombies:
They scare the hell out of me.
Ever since I first watched a zombie moan its way towards a mouthful of brain matter during an HBO free preview viewing of Return of the Living Dead 3, I've been completely terrified by their shambling relentlessness. Which naturally means I sought out every zombie flick I could find. I would watch with cringing horror as the walking dead slowly but inevitably cornered their prey, nearly impossible to kill and utterly single-minded in their pursuit of BRAAAAAAAAINS. I even fell in love with the new “fast zombies” introduced primarily in Danny Boyle's brilliant 28 Days Later... after all, what's scarier than a horde of nearly unstoppable walking corpses intent on nothing in the world besides cracking your skull open and gobbling your gray matter? Answer: a horde of rage-fueled speed-demons intent on nothing more than killing you in the most violent manner possible.
When I heard there was going to be a television series taking place in the midst of a zombie apocalypse... well, needless to say, I was a tad bit excited.
“The Walking Dead” does not disappoint.
It opens on a deserted road. We are introduced to the main character, a uniformed cop in a police cruiser, as he searches for gas. Within moments, we've also met our first zombie: a little girl with half her face eaten away, keening and snarling as she runs at the hero... who is forced to shoot her in the head. Best first five minutes of television ever.
The iconic hero wakes up and realizes the world has ended scene is delightfully creepy and disturbing, as he stumbles on half-eaten corpses, moaning and bendy-fingered things barricaded behind doors, and carefully-stacked piles of dead bodies. That's before he even finds the still-smoking rubble surrounded by abandoned military vehicles and equipment. Even after all that, the crowning glory of the scene was the zombie who crawls desperately after him, gone below the waist.
And that was just the first episode.
There is nothing particularly original in the storytelling... the characters are fairly standard, but they nonetheless manage to surprise you at times. The show manages gives us just enough lightness and humor to cut the trauma and horror, which is as relentless as the title characters. The fascinating thing about zombie apocalypse movies is watching the haggard survivors fight to stay alive, and sane, and how they waver between ugliness and grace.
My only real complaint about the show is the truncated length of the season at only six episodes. This show is way too good to limit to six hours.
Now please excuse me, I have to make sure the shotgun under my bed is loaded before I go to sleep.
Here's the thing about zombies:
They're slow. They're stupid. They spend most of their time moaning and reaching and stumbling around.
Here's the other thing about zombies:
They scare the hell out of me.
Ever since I first watched a zombie moan its way towards a mouthful of brain matter during an HBO free preview viewing of Return of the Living Dead 3, I've been completely terrified by their shambling relentlessness. Which naturally means I sought out every zombie flick I could find. I would watch with cringing horror as the walking dead slowly but inevitably cornered their prey, nearly impossible to kill and utterly single-minded in their pursuit of BRAAAAAAAAINS. I even fell in love with the new “fast zombies” introduced primarily in Danny Boyle's brilliant 28 Days Later... after all, what's scarier than a horde of nearly unstoppable walking corpses intent on nothing in the world besides cracking your skull open and gobbling your gray matter? Answer: a horde of rage-fueled speed-demons intent on nothing more than killing you in the most violent manner possible.
When I heard there was going to be a television series taking place in the midst of a zombie apocalypse... well, needless to say, I was a tad bit excited.
“The Walking Dead” does not disappoint.
It opens on a deserted road. We are introduced to the main character, a uniformed cop in a police cruiser, as he searches for gas. Within moments, we've also met our first zombie: a little girl with half her face eaten away, keening and snarling as she runs at the hero... who is forced to shoot her in the head. Best first five minutes of television ever.
The iconic hero wakes up and realizes the world has ended scene is delightfully creepy and disturbing, as he stumbles on half-eaten corpses, moaning and bendy-fingered things barricaded behind doors, and carefully-stacked piles of dead bodies. That's before he even finds the still-smoking rubble surrounded by abandoned military vehicles and equipment. Even after all that, the crowning glory of the scene was the zombie who crawls desperately after him, gone below the waist.
And that was just the first episode.
There is nothing particularly original in the storytelling... the characters are fairly standard, but they nonetheless manage to surprise you at times. The show manages gives us just enough lightness and humor to cut the trauma and horror, which is as relentless as the title characters. The fascinating thing about zombie apocalypse movies is watching the haggard survivors fight to stay alive, and sane, and how they waver between ugliness and grace.
My only real complaint about the show is the truncated length of the season at only six episodes. This show is way too good to limit to six hours.
Now please excuse me, I have to make sure the shotgun under my bed is loaded before I go to sleep.
February 10, 2011
Geek Weekly: Celebrities I've been five feet (or less) from.
My very first interactive blog post! I want to hear from you on this one, people...
Here's the rules: it can be anyone you consider a celebrity. I'll go ahead and let you decide who fits the criteria, but a good rule of thumb for me is if I've ever thought “Wow, they're a lot shorter in person.” You must have been within comfortable talking distance of this person. Physical contact is a plus (i.e. a handshake (you pervs)) but not necessary. If they are on a stage and you are not, it doesn't count... even if you were in the front row, inches away, getting sweat/spittle showered on you. If you got your boobs signed after the concert, that would count. Got it? Good.
Me first!
Bruce Campbell broke my celebrity cherry when he did a signing for his first book, “If Chins Could Kill,” at a small bookstore in the D.C. area. He was ridiculously smart and charming, and totally tolerant when I sweatily blurted a request to have my picture taken kissing his cheek. I may still have the picture framed somewhere nearby.
The next I can remember was Taylor Hanson. Yes, that Taylor Hanson. (WARNING: do not click that link unless you want icepick-to-eardrum inducing earworm. You're welcome.) We passed each other as he was entering a restaurant and I was leaving. There was total eye-sparkage, I am not kidding you at all.
I had about a ten-year dry spell in which I met no celebrities at all. It was very sad indeed. Then suddenly, in the past year, I've met a whole slew of famous folk. Mostly at conventions of some sort (because yes, convention meets count. If they didn't, my turn would already be over and this is my blog and that is not on. So yes, convention meets totally count).
Last February I went to the SFX Weekender in southern England, where I met James Marsters, Gareth David-Lloyd, Tom Baker, and Elisabeth Sladen. If it all seems a bit Who-centric, that's because it was a science fiction convention, in England. James was probably the most fun, as he regaled me with a story about how his girlfriend was watching the filming of the scene in “Torchwood” when he makes out with John Barrowman (who was totally supposed to be there too, and therefore would have been on my meet-list, except he has a career or summat so he's not on my list, which is LAME). Also, Elisabeth is ridiculously gorgeous in person (not that she isn't on-screen as well, but in person... woof).
Then in March I went to a much smaller convention called Gays of Our Lives, the focus of which was gay characters and storylines in soap operas. At the time there happened to be only two soaps in the U.S. that had gay storylines (both of which are gone now), and three in Germany. Which means that out of the eight celebrity guests, five flew in from Germany to meet their fans. The American guests were Scott Evans (from “One Life to Live”), Gregory Michael (from “Dante's Cove” and “Greek”), and Hal Sparks (from the American version of “Queer as Folk”). The German guests were Igor Dolgatschew and Dennis Grabosch (from “Alles Was Zählt”), Jo Weil and Thore Schölermann (from "Verboten Liebe”), and Felix Isenbügel (from “Gute Zeiten, Schlechte Zeiten”). Having become a rabid AWZ fan, I was most excited to meet Dennis and Igor, and I was not disappointed. They were completely lovely. Everyone was, really, but those two definitely stand out as my favorites. The smallness of the event (there were only 80 fans there) was great since we spent time actually interacting with the celebrities, rather than waiting in line for an hour to get something signed. It was truly one of the most memorable weekends of my life.
Then in July I interpreted for Paul Cornell, who is a writer for Doctor Who and other BBC shows, at a local science fiction convention called CONvergence. I've seen a few famous folk at that convention over the years, but I'm only counting Paul because he's the only one I can count under the proximity rule. One of the perks of being the sign language interpreter.
By far the most random celebrity meet was just a few months ago, when I accidentally snuck into a horror convention at a local hotel. (As you do.) I was wandering about with no idea what I was going to see, and ended up in what I thought was a typical dealer's room (essentially a room full of kiosks where you can buy books and magazines and crocheted Cthulhus. The usual stuff). It turned out there were some autograph sessions going on as well, and I suddenly found myself face-to-face with Dee Wallace (best known as E.T.'s mom), Brian Krause of “Charmed” fame, and legendary That Guy! Jeffrey Combs, who's been in, like, everything. Ever. I think I might have actually cackled in delight at one point, but it's all kind of a blur.
And that ends my turn. Who's next?
Here's the rules: it can be anyone you consider a celebrity. I'll go ahead and let you decide who fits the criteria, but a good rule of thumb for me is if I've ever thought “Wow, they're a lot shorter in person.” You must have been within comfortable talking distance of this person. Physical contact is a plus (i.e. a handshake (you pervs)) but not necessary. If they are on a stage and you are not, it doesn't count... even if you were in the front row, inches away, getting sweat/spittle showered on you. If you got your boobs signed after the concert, that would count. Got it? Good.
Me first!
Bruce Campbell broke my celebrity cherry when he did a signing for his first book, “If Chins Could Kill,” at a small bookstore in the D.C. area. He was ridiculously smart and charming, and totally tolerant when I sweatily blurted a request to have my picture taken kissing his cheek. I may still have the picture framed somewhere nearby.
The next I can remember was Taylor Hanson. Yes, that Taylor Hanson. (WARNING: do not click that link unless you want icepick-to-eardrum inducing earworm. You're welcome.) We passed each other as he was entering a restaurant and I was leaving. There was total eye-sparkage, I am not kidding you at all.
I had about a ten-year dry spell in which I met no celebrities at all. It was very sad indeed. Then suddenly, in the past year, I've met a whole slew of famous folk. Mostly at conventions of some sort (because yes, convention meets count. If they didn't, my turn would already be over and this is my blog and that is not on. So yes, convention meets totally count).
Last February I went to the SFX Weekender in southern England, where I met James Marsters, Gareth David-Lloyd, Tom Baker, and Elisabeth Sladen. If it all seems a bit Who-centric, that's because it was a science fiction convention, in England. James was probably the most fun, as he regaled me with a story about how his girlfriend was watching the filming of the scene in “Torchwood” when he makes out with John Barrowman (who was totally supposed to be there too, and therefore would have been on my meet-list, except he has a career or summat so he's not on my list, which is LAME). Also, Elisabeth is ridiculously gorgeous in person (not that she isn't on-screen as well, but in person... woof).
Then in March I went to a much smaller convention called Gays of Our Lives, the focus of which was gay characters and storylines in soap operas. At the time there happened to be only two soaps in the U.S. that had gay storylines (both of which are gone now), and three in Germany. Which means that out of the eight celebrity guests, five flew in from Germany to meet their fans. The American guests were Scott Evans (from “One Life to Live”), Gregory Michael (from “Dante's Cove” and “Greek”), and Hal Sparks (from the American version of “Queer as Folk”). The German guests were Igor Dolgatschew and Dennis Grabosch (from “Alles Was Zählt”), Jo Weil and Thore Schölermann (from "Verboten Liebe”), and Felix Isenbügel (from “Gute Zeiten, Schlechte Zeiten”). Having become a rabid AWZ fan, I was most excited to meet Dennis and Igor, and I was not disappointed. They were completely lovely. Everyone was, really, but those two definitely stand out as my favorites. The smallness of the event (there were only 80 fans there) was great since we spent time actually interacting with the celebrities, rather than waiting in line for an hour to get something signed. It was truly one of the most memorable weekends of my life.
Then in July I interpreted for Paul Cornell, who is a writer for Doctor Who and other BBC shows, at a local science fiction convention called CONvergence. I've seen a few famous folk at that convention over the years, but I'm only counting Paul because he's the only one I can count under the proximity rule. One of the perks of being the sign language interpreter.
By far the most random celebrity meet was just a few months ago, when I accidentally snuck into a horror convention at a local hotel. (As you do.) I was wandering about with no idea what I was going to see, and ended up in what I thought was a typical dealer's room (essentially a room full of kiosks where you can buy books and magazines and crocheted Cthulhus. The usual stuff). It turned out there were some autograph sessions going on as well, and I suddenly found myself face-to-face with Dee Wallace (best known as E.T.'s mom), Brian Krause of “Charmed” fame, and legendary That Guy! Jeffrey Combs, who's been in, like, everything. Ever. I think I might have actually cackled in delight at one point, but it's all kind of a blur.
And that ends my turn. Who's next?
Labels:
convention shenanigans,
famous folk,
geek weekly
February 3, 2011
Geek Weekly: movie review - Black Swan
At some point I decided it would be cool to do a monthly movie review here on Geek Thursdays, so this is the first of many. At least twelve a year. NICE. Of course, that's going to require that I actually get out of the house and see a movie at least once a month. Which, considering the last three movies I saw were Black Swan, Half-Blood Prince, and Avatar(the first release) is going to be quite an interesting challenge. If all goes as planned, next month's review will be The Rite. (Yes, I know I'm not trying very hard to be SUPER CURRENT but at least I'm reviewing while they're still in the theater...)
WARNING: CONTAINS SPOILERS!
After eleventy Oscar nominations and so much hype, I was a little worried that Black Swan wouldn't live up to expectations. In a way, it didn't... it blasted my expectations right out of the water.
What impressed me the most about this movie was how scary it was. I really wasn't expecting to spend so much time hiding behind my scarf. The slow build of tension was effective every time, but the movie also startled the crap out of me more than once when I was not expecting it. And as a veteran horror movie watcher, I'm usually pretty good at anticipating a scare. Nearly a week later, I'm still getting creeped out in the dark. Unlike, say, The Grudge, it isn't a specific image that haunts me but just a feeling. Like something's waiting for me in the dark. As far as I'm concerned, that's the sign of a great horror movie.
One of the things that made this movie so difficult to watch at times was the truly under-your-skin visceral feel of some scenes. The scratching, the focus on the damage these dancers can suffer to their feet, the vomiting... all added up to give the movie a distinctly squirmy feel. The worst was a scene which takes place in the bathroom (really, a lot of scenes take place in bathrooms)... Nina (Portman) is picking at a hangnail and ends up pulling up a long strip of skin, a bone-deep chunk halfway up to her elbow. It turns out to be a hallucination, but even so it left me feeling nauseous. Which I would rarely consider a compliment, but for this movie, it works. This visceral element pays off beautifully in her eerie transformation into the Black Swan near the end of the movie.
Of course I can't say enough about Natalie Portman's performance. She portrays the trembling, on-the-edge fragility of Nina so perfectly that I expected her to shatter into a million pieces at any moment. She does a beautiful job of making Nina's slow dissolution very understandable as she wilts under her mother's clinging attention, quails under the show director's gruff instruction, and boggles as Lucy (Mila Kunis), her self-proclaimed rival, does so easily what she cannot, despite throwing every ounce of herself into her craft. Mila Kunis is also wonderful in her role, as she effortlessly flips between the dark temptress of Nina's delusions and her friendly, laid back opposite.
And I'd be remiss as a bisexual woman if I didn't mention the love scene between Nina and Lucy after their night of drinking and standing up to Nina's mother. It's really startling and beautiful and terrifying, not to mention HAWT. And although both characters are clearly heterosexual, it was very natural and organic. It made perfect sense somehow that things would turn sexual between them in that moment. So much so that the revelation that it happened only in Nina's mind was a complete surprise to me.
Black Swan is a haunting and beautiful movie that gets under your skin and stays there. Do yourself a favor and go see it if you haven't already. You'll never look at ballerinas the same way again.
WARNING: CONTAINS SPOILERS!
After eleventy Oscar nominations and so much hype, I was a little worried that Black Swan wouldn't live up to expectations. In a way, it didn't... it blasted my expectations right out of the water.
What impressed me the most about this movie was how scary it was. I really wasn't expecting to spend so much time hiding behind my scarf. The slow build of tension was effective every time, but the movie also startled the crap out of me more than once when I was not expecting it. And as a veteran horror movie watcher, I'm usually pretty good at anticipating a scare. Nearly a week later, I'm still getting creeped out in the dark. Unlike, say, The Grudge, it isn't a specific image that haunts me but just a feeling. Like something's waiting for me in the dark. As far as I'm concerned, that's the sign of a great horror movie.
One of the things that made this movie so difficult to watch at times was the truly under-your-skin visceral feel of some scenes. The scratching, the focus on the damage these dancers can suffer to their feet, the vomiting... all added up to give the movie a distinctly squirmy feel. The worst was a scene which takes place in the bathroom (really, a lot of scenes take place in bathrooms)... Nina (Portman) is picking at a hangnail and ends up pulling up a long strip of skin, a bone-deep chunk halfway up to her elbow. It turns out to be a hallucination, but even so it left me feeling nauseous. Which I would rarely consider a compliment, but for this movie, it works. This visceral element pays off beautifully in her eerie transformation into the Black Swan near the end of the movie.
Of course I can't say enough about Natalie Portman's performance. She portrays the trembling, on-the-edge fragility of Nina so perfectly that I expected her to shatter into a million pieces at any moment. She does a beautiful job of making Nina's slow dissolution very understandable as she wilts under her mother's clinging attention, quails under the show director's gruff instruction, and boggles as Lucy (Mila Kunis), her self-proclaimed rival, does so easily what she cannot, despite throwing every ounce of herself into her craft. Mila Kunis is also wonderful in her role, as she effortlessly flips between the dark temptress of Nina's delusions and her friendly, laid back opposite.
And I'd be remiss as a bisexual woman if I didn't mention the love scene between Nina and Lucy after their night of drinking and standing up to Nina's mother. It's really startling and beautiful and terrifying, not to mention HAWT. And although both characters are clearly heterosexual, it was very natural and organic. It made perfect sense somehow that things would turn sexual between them in that moment. So much so that the revelation that it happened only in Nina's mind was a complete surprise to me.
Black Swan is a haunting and beautiful movie that gets under your skin and stays there. Do yourself a favor and go see it if you haven't already. You'll never look at ballerinas the same way again.
January 27, 2011
Geek Weekly: I am a geek.
In the past few years, it's become cool to be a geek.
You've got Wil Wheaton and the characters of “The Big Bang Theory” (not to mention dozens of others) showing us how easy life is for a geek. But see, there's a secret no one's telling you. Are you ready for it? You sure?
It's actually no cooler to be a geek now than it ever was.
The thing is, most of the stuff that geeks have traditionally loved (translation: obsessed over) have become mainstream. All those people out there claiming to be geeks? Most of them are just “normal” people who happen to like the Lord of the Rings movies or read the Harry Potter books. The true definition of a geek is somewhat different.
Take a look at this handy visual guide I found on the internets to see what I mean:

See, there's a lot more to it than meets the eye. Geeks (or nerds, or dorks) tend to have poor social skills. They obsess about the things they “fan” to a degree that all those other people find disconcerting, if not downright alarming. They have such a difficult time relating to the world around them that they prefer to live in a universe created by George Lucas or Neil Gaiman. They can only find a certain amount of acceptance among other geeks. The only reason they seek acceptance at all is because human beings are social creatures and want to be with other humans. Well, that and they want to make sure as many people as possible know how much they know about “Doctor Who.”
Another thing about geeks? They are fiercely protective of their status. They are True Geeks because they have suffered. Unfortunately, in their (usually futile) attempts to shelter and protect themselves from The Bullies, they often end up shutting themselves off from the world instead. It's a vicious circle, really.
I consider myself a geek, although I don't feel that particular sense of protectiveness. If the backward-hat and khaki-shorts wearing college boys want to play D&D on the weekends, or to wait in line for a midnight showing of Avatar (the third re-release, with 28 seconds of new footage!), then more power to them. The fact that they like something that I like, causing it to become popular, can only benefit me. It means that more of the things I like will get made, because they bring in the almighty dollar.
To be honest, I sometimes feel on the outside even amongst geeks. Because no matter how much you've always wanted to be on the inside, no matter how much pain and suffering you've gone through to finally get there, once you've finally arrived you look at those poor souls still on the outside trying to get in, and you lock the door against them.
It's even worse, now that it's become cool to be a geek.
But enough of that emo shit. (Don't you hate emo kids? They're so lame.)
In spite of that, I wear my geek badge with pride. Because the best part about being a geek is that there are so many flavors. Mine is based largely on a Star Wars/“Star Trek” background, with a healthy dose of Stephen King and a massive affinity for horror movies thrown in. My tastes have changed over the years, evolved into something different with every new discovery. After resisting for years, I finally dove head-first into the world of Harry Potter and never looked back. More recently I discovered the joy that is the “Doctor Who” reboot (Eccleston is totally my Doctor). About a year ago, my obsessive tendencies drew me to a strange little German soap opera called “Alles Was Zählt,” because of the gay storyline. And that's only scratching the surface of my fandom experience.
There is so much more about me that makes me a geek, most of which I'll explore at a later time, because this entry is already too long as it is.
You've got Wil Wheaton and the characters of “The Big Bang Theory” (not to mention dozens of others) showing us how easy life is for a geek. But see, there's a secret no one's telling you. Are you ready for it? You sure?
It's actually no cooler to be a geek now than it ever was.
The thing is, most of the stuff that geeks have traditionally loved (translation: obsessed over) have become mainstream. All those people out there claiming to be geeks? Most of them are just “normal” people who happen to like the Lord of the Rings movies or read the Harry Potter books. The true definition of a geek is somewhat different.
Take a look at this handy visual guide I found on the internets to see what I mean:
See, there's a lot more to it than meets the eye. Geeks (or nerds, or dorks) tend to have poor social skills. They obsess about the things they “fan” to a degree that all those other people find disconcerting, if not downright alarming. They have such a difficult time relating to the world around them that they prefer to live in a universe created by George Lucas or Neil Gaiman. They can only find a certain amount of acceptance among other geeks. The only reason they seek acceptance at all is because human beings are social creatures and want to be with other humans. Well, that and they want to make sure as many people as possible know how much they know about “Doctor Who.”
Another thing about geeks? They are fiercely protective of their status. They are True Geeks because they have suffered. Unfortunately, in their (usually futile) attempts to shelter and protect themselves from The Bullies, they often end up shutting themselves off from the world instead. It's a vicious circle, really.
I consider myself a geek, although I don't feel that particular sense of protectiveness. If the backward-hat and khaki-shorts wearing college boys want to play D&D on the weekends, or to wait in line for a midnight showing of Avatar (the third re-release, with 28 seconds of new footage!), then more power to them. The fact that they like something that I like, causing it to become popular, can only benefit me. It means that more of the things I like will get made, because they bring in the almighty dollar.
To be honest, I sometimes feel on the outside even amongst geeks. Because no matter how much you've always wanted to be on the inside, no matter how much pain and suffering you've gone through to finally get there, once you've finally arrived you look at those poor souls still on the outside trying to get in, and you lock the door against them.
It's even worse, now that it's become cool to be a geek.
But enough of that emo shit. (Don't you hate emo kids? They're so lame.)
In spite of that, I wear my geek badge with pride. Because the best part about being a geek is that there are so many flavors. Mine is based largely on a Star Wars/“Star Trek” background, with a healthy dose of Stephen King and a massive affinity for horror movies thrown in. My tastes have changed over the years, evolved into something different with every new discovery. After resisting for years, I finally dove head-first into the world of Harry Potter and never looked back. More recently I discovered the joy that is the “Doctor Who” reboot (Eccleston is totally my Doctor). About a year ago, my obsessive tendencies drew me to a strange little German soap opera called “Alles Was Zählt,” because of the gay storyline. And that's only scratching the surface of my fandom experience.
There is so much more about me that makes me a geek, most of which I'll explore at a later time, because this entry is already too long as it is.
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